
Erika Balsom, Senior Lecturer in Film Studies and Liberal Arts, King's College London.Holly Rogers, Reader in Music at Goldsmiths, University of London.Noël Carroll, Distinguished Professor of Philosophy, City University of New York.Dr Enrico Terrone (Universitat de Barcelona).Dr Mario Slugan (Queen Mary University of London).The relevance of gender/race/class/ethnicity/sexuality in experimental filmmaking and video art.National traditions in experimental film and video art.Maya Deren, Jonas Mekas, Stan Brakhage, Andy Warhol, Malcolm Le Grice, Péter Forgács, Bill Viola, Shirin Neshat, Nam June Paik, Richard Serra, Matthew Barney). Notable artists in experimental film and video art (e.g.Specific movements in experimental film and video art.Possible intersections with other genres/art forms: documentary, amateur film, advertising, videoclip, videogames.genre, subgenre, medium, artform), are the most appropriate to conceptualize experimental film and video art? The role of perception, imagination, and emotions in experimental film and video art Paradigmatic experimental films and works of video art that help us to better understand the categories to which they belong.The (missing) place of narrative in experimental film and video art.Abstract moving images in experimental film and video art.The role of sound and music in experimental film and video art.

The effects of the transition from analogical to digital technologies in experimental film and video art.Experimental film and video art as challenges to film definitions.
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Panel conveners will be also requested to conform to the Good Practice Policy making sure that at least two of the panellists (including the convener/chair) are female. Also included should be names and institutional affiliation for the three presenters and the name, institutional affiliation, contact details, and institutional affiliation for the chair. In the case of pre-constituted panels, the conveners are asked to submit a panel proposal including the title, a 300- to 500-word justification for the panel and 300- to 500-word abstracts (references included) for each of the three presentations making up the panel accompanied by a title and 5 keywords. Thus, please just indicate "see PDF" in the "Title" and "Abstract" fields of the Eas圜hair form.
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Submissions should be done as PDF files prepared for blind review. In the case of individual papers, please submit abstracts between 5 words (references included) together with a title and 5 keywords. The conference is open to both individual papers or pre-constituted panels (with 3 speakers each and a chair). The idea is to realize a synergy between, on the one hand, the research carried out in analytic aesthetics on notions such as appreciative category, art form, medium, and genre, and, on the other hand, the historical and stylistic research, as well as the artistic and critical practice, in the domains of experimental film and video art. For this purpose, one should emphasize the way in which experimental films and works of video art differ from paradigmatic films, as well as the way in which experimental film and video art, as appreciative categories, differ from one another. This conference aims to highlight the contribution of experimental films and video art to contemporary culture. Queen Mary University of London, November 5-6, 2020 Submission Guidelines Experimental Film, Video Art, and the Borders of CinemaĪ British Society of Aesthetics Synergy Conference
